KAYO DOT PREMIERE NEW SONG, “MAGNETISM”


KAYO DOT PREMIERE NEW SONG, “MAGNETISM”
Listen on TinyMixTapes / New album Plastic House on Base of Sky out June 24th
 
"a refined, and sensual, post-new wave tour de force" - Echoes & Dust
“…a hypnotic blend of sensuous grooves, ghostly heaviness and knotty melodies ..." - Time Out New York
 
Kayo Dot has premiered the first single off of its upcoming album Plastic House on Base of Sky today onTinyMixTapes; listen to "Magnetism" here.  On this new album, Kayo Dot fully embraces the electronic allusions found on 2014's Coffins on Io LP, incorporating a variety of synthesizers (many of them vintage analog) to create another work of ambition and magnitude that fuses the explosive musical imagination of a band like Magma with the forward-thinking experimentalism of Conrad Schnitzler or Morton Subotnick. This 40 minute-long, 5-song LP goes beyond the future-noir theme of Coffins on Io and is an innovative and biomechanical work of art. Think seemingly impossible architecture, dead satellites, trashed space stations, wasted old lady heroin addicts hanging out by cheap motel pools, broken people, and a hopeless dead and polluted world transitioning into artifice and mechanism and reacting by being self-destructive, either to the point of utter obliteration or a glorious transhuman condition.
 
Toby Driver, the primary composer and bandleader of Kayo Dot, has been fiercely productive over the years, and while that usually refers to how many songs or albums an artist has made, with Driver the productivity is in the realm of ideas as much as music itself. In the course of a single Kayo Dot song, the amount of risks and liberties taken with form and convention usually outnumbers what other artists cover in a full album. For as much ground as they cover, it's always in the service of a carefully curated mood and this is apparent on Plastic House on Base of Sky's exploration of our mechanical post-human future-present.
 
The core of Kayo Dot might be that mood– one that lies at the crossroads of darkness and mystery. In film, music that accompanies mystery is often nocturnal, playing on a primal relation in our brains between the unknown and the night. It's this intersection that is the essence of Kayo Dot. Driver, who recorded Plastic House on Base of Sky in various locations from August 2014 to December 2015, again collaborates with lyricist Jason Byron. Byron, a lifelong student of the occult, gives the listener a feast of words to unpack that are as elusively satisfying as the labyrinths of sound they travel through. Whether by way of menacing guitars, ethereal woodwinds, or aggressive electronics, there's always a sense that a new passage could open, that around the next corner could be anything.
 
Plastic House on Base of Sky will be available June 24, 2016 from The Flenser.  Pre-order the album here.
 
Plastic House on Base of Sky Track Listing:
 1.  Amalia's Theme
2.  All The Pain in All the Wide World
3.  Magnetism
4.  Rings of Earth
5.  Brittle Urchin